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The Originality IllusionIt's come to my attention that, in the online amateur writing scene, no one seems to understand the proper role of characters in conjunction with plot.The Originality Illusion by illuminara
From what I have been able to observe, literally everyone tries to create characters outside of plot by outlining what they look like, what they eat for dinner, and what bands they absolutely abhor. That's the law on how it's done. The amount of "character survey sheets" containing a never-ending list of questions for prospective characters is ridiculous--and sad, because determining these things will in no way help you create a good character or, more importantly, a good story (which I define as an account of a character's actions within a given plot).
In reality, your character is not going to comb his hair, sit down to the dinner table, or workout in the gym with his iPod during the erupting mayhem of your story. If he does, it's because you've invested way too much time in randomly select
Writing ANGSTWriting ANGST by OokamiKasumi
One way to add excitement to your story is by adding lots of bad-guys, also known as EXTERNAL Conflict. Another way is by adding INTERNAL Conflict, more commonly known as Angst.
I'm sure most of you have noticed by now that most movie characters, and far too many book characters, are One-Dimensional. They do stuff, but they don't face any personality issues: a hang-up, a fear, paranoia, a moral code, a love interest, a strong dislike Or worse, they do have all these things, but they never really affect the story.
There's a Plot Arc, things happen, but no Character Arc. The things that happen don't affect the characters emotionally.
Where's the ANGST?
Answer these two questions:
1. What is your character's biggest character flaw?
(Think: 7 Deadly Sins.)